Corona-Krise-Toilettenpapier

Corona Crisis Toilet Paper for WIPE - 1
Corona Crisis Toilet Paper for WIPE - 2
Corona Crisis Toilet Paper for WIPE - 3
Corona Crisis Toilet Paper for WIPE - 5
Corona Crisis Toilet Paper for WIPE - 6
Corona Crisis Toilet Paper for WIPE - 7

Corona Crisis Toilet Paper for WIPE - 1

Corona Crisis Toilet Paper for WIPE - 2

Corona Crisis Toilet Paper for WIPE - 3

Corona Crisis Toilet Paper for WIPE - 5

Corona Crisis Toilet Paper for WIPE - 6

Corona Crisis Toilet Paper for WIPE - 7

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Das ist mein Beitrag für David Dellafioras WIPE (s.u.) – eine kleine Sammelpublikation, in der Toilettenpapier das Medium ist. 40 handgeschnittene Seiten.

Dieses „Corona-Krise-Toilettenpapier“ ist der Dummheit und Rücksichtslosigkeit vieler Menschen und der Panik- und Meinungsmache der (sozialen) Medien gewidmet.
Herzlichen Dank an all jene, die keine Gelegenheit ausgelassen haben, die Panik zu schüren, in dem sie Fotos leerer Supermarktregale veröffentlicht haben.
Ausschnitte aus einer lokalen Wochenzeitung 03/2020- Informationen der Stadtverwaltung über das Corona-Virus
Sabine Remy – Deutschland – Mai 2020
miriskum.de

„WIPE ist eine kleine Sammelpublikation, in der Toilettenpapier das Medium ist. Die Verwendung eines nichtarchivarischen, ja antiarchivarischen Mediums ist beabsichtigt, wobei die Flüchtigkeit und Zerbrechlichkeit des Mediums in scharfem Kontrast zur künstlerischen Auseinandersetzung mit Archivmaterialien steht. Konzipiert als spielerische, leichte Publikation, um Portokosten zu umgehen, nickt Wipe auf Duchamps Urinal ein und fordert die Mitwirkenden auf, mit einem Medium zu arbeiten, das fast schon Anti-Kunst ist.
Die Beitragenden beziehen ihr eigenes Toilettenpapier, eine Quelle der Faszination an sich und ein Kommentar zu den Hygienepraktiken verschiedener Gesellschaften. Trotz seiner beabsichtigten Vergänglichkeit lässt sich Toilettenpapier stempeln, nähen, collagieren und sogar frottieren. Wenn 20 Beiträge eingegangen sind, wird das Toilettenpapier per Post an die Teilnehmer verteilt (Text von Susan Hartigan).
Limitierte Exemplare der WIPE 123 sind für 20 US-Dollar (einschließlich internationaler Sonderdrucke) per E-Mail für weitere Einzelheiten erhältlich.“ (Quelle)
(unbezahlte Werbung)

english version:
This is my contribution to David Dellafiora’s WIPE Wipe – a small collective publication in which toilet paper is the medium. 40 cut out pages.

This „Corona Crisis Toilet Paper“ is dedicated to the stupidity and ruthlessness of many people and the panic and opinion making of the (social) media.
Many thanks to all those who did not miss any opportunity to stir up panic by publishing photos of empty supermarket shelves.
Excerpts from a local weekly newspaper 03/2020- Information from the city administration about the corona virus
Sabine Remy – Germany – May 2020
miriskum.de

„Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)
Limited copies of WIPE 123 are available for sale for $20 US (including international p&p) email for further details.“ (Source)
(unpaid advertisement)

Mail from Joakim Norling – Timglaset (SWE)

Publications by Timglaset running by Joakim Norling
Michael Orr - palingEnesia - published by Timglaset - 1
Michael Orr - palingEnesia - published by Timglaset - 2
Michael Orr - palingEnesia - published by Timglaset - 3
Michael Orr - palingEnesia - published by Timglaset - 4
Michael Orr - palingEnesia - published by Timglaset - 5
Michael Orr - palingEnesia - published by Timglaset - 6
Michael Orr - palingEnesia - published by Timglaset - 7
Michael Orr - palingEnesia - published by Timglaset - 8
Leif Holmstrand - Cephalopods - published by Timglaset - 1
Leif Holmstrand - Cephalopods - published by Timglaset - 2
Leif Holmstrand - Cephalopods - published by Timglaset - 3
Postcard by Luke Bradford - Timglaset Editions 2019

Publications by Timglaset running by Joakim Norling

Michael Orr - palingEnesia - published by Timglaset - 1

Michael Orr - palingEnesia - published by Timglaset - 2

Michael Orr - palingEnesia - published by Timglaset - 3

Michael Orr - palingEnesia - published by Timglaset - 4

Michael Orr - palingEnesia - published by Timglaset - 5

Michael Orr - palingEnesia - published by Timglaset - 6

Michael Orr - palingEnesia - published by Timglaset - 7

Michael Orr - palingEnesia - published by Timglaset - 8

Leif Holmstrand - Cephalopods - published by Timglaset - 1

Leif Holmstrand - Cephalopods - published by Timglaset - 2

Leif Holmstrand - Cephalopods - published by Timglaset - 3

Postcard by Luke Bradford - Timglaset Editions 2019

Publications by Timglaset running by Joakim Norling thumbnail
Michael Orr - palingEnesia - published by Timglaset - 1 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 2 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 3 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 4 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 5 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 6 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 7 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 8 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 1 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 2 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 3 thumbnail
Postcard by Luke Bradford - Timglaset Editions 2019 thumbnail

Ich habe Post von Joakim Norling bekommen, Herausgeberin von  Timglaset – Verlag für visuelle Poesie. Wir haben einen kleinen Kunstaustausch gemacht. Eigentlich sollte ich mir aussuchen, welche Publikation ich gerne im Austausch hätte. Obgleich ich schon mit Michael Orr´s „plangEnesia“ geliebäugelt habe, fand ich es spannender, Joakim selbst entscheiden zu lassen, was sie mir gerne schicken möchte.  Und wie wunderbar – Michael´s Publikation war dabei – sowie eine Postkarten mit Kunst von Luke Bradford  und eine weitere Publikation „Cephalopodos“ mit Werken von Leif Holmstrand. Ich bin sehr begeistert! Vielen Dank für dieses wunderbare und großzügige Paket.
Versäume nicht, Timglaset-Homepage zu besuchen, auf der Du fantastische Publikationen finden (und kaufen) kannst.
(völlig freiwillige und unbezahlte Werbung)

english version:
I have received mail from Joakim Norling, editor of Timglaset – publishing house for visual poetry. We had a little art exchange. Actually I should choose which publication I would like to have in exchange. Although I put already an eye on Michael Orr’s „plangEnesia“, I found it more exciting to let Joakim decide for herself what she would like to send me.  And how wonderful – Michael’s publication was there – as well as a postcard with art by Luke Bradford and another publication „Cephalopodos“ with works by Leif Holmstrand. I am thrilled! Thank you very much for this wonderful and generous package.
Don’t forget to visit Timglaset homepage where you can find (and buy) fantastic publications.
(completely voluntary and unpaid advertising)

Hugo Ball to Art in a Box

20 gestempelte Postkarten mit meinem aktuellen Hugo Ball Stempel, den ich kürzlich designed habe, an Gina Geo für ihr Sammelmagazin Art in a Box, an dem ich zum ersten Mal teilnehme. Das Thema ist „Erinnerung“.
In Erinnerung an Hugo Ball, der sich im Cabaret Voltaire als „magischer Priester“ verkleidet hat und in einem Papstkostüm am 23. Juni 1916 feierlich das erste Lautgedicht des Dadaismus rezitierte.
Hugo Ball: * 22. Februar 1886 in Pirmasens, Deutschland / † 14. September 1927
Cabaret Voltaire: ein am 5. Januar 1916 gegründetes Künstlerlokal in Zürich, der Geburtsstätte des Dadaismus

english version:
20 stamped postcards with my brand new Hugo Ball rubber stamp which I have designed lately, to Gina Geo for her Art in a Box assembling magazine where I am now taking part for the first time. The theme is „Memory“.
In MEMORY of Hugo Ball, who in Cabaret Voltaire, dressed as a „magical priest“ in a pope costume on 23 June 1916, solemnly recites the first sound poem of Dadaism.
Hugo Ball: * 22 February 1886 in Pirmasens, Germany/† 14 September 1927
Cabaret Voltaire: an artists‘ pub founded on 5 January 1916 in Zurich, birthplace of Dadaism.

Stampzine – Picasso Gaglione (USA)

Dies ist mein allererster Beitrag zu Picasso Gagliones (USA) STAMPZINE, einem internationalen Stempel-Sammelband. Picasso hat auf diese Weise seit den späten 1970er Jahren Magazine geschaffen. Dies sind meine 20  gestempelten Seiten (12,7 x 20,3 cm). Ich freue mich darauf, das gesamte Magazin zu erhalten und zu sehen, was die anderen Teilnehmer gemacht haben.

This is my very first contribution to Picasso Gaglione´s (USA) STAMPZINE, an international rubber stamp assembly zine. Picasso has been creating zines in this manner since the late 1970s. These are mine 20 individual stamped pages  (5×8 inches). Looking forward to receive the zine and see, what the other participants did.

Attic Zine – Green

ATTIC ZINE - GREEN - all together
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ATTIC ZINE - GREEN - 2
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ATTIC ZINE - GREEN - 17
ATTIC ZINE - GREEN - 18
ATTIC ZINE - GREEN - 19
ATTIC ZINE - GREEN - 20

ATTIC ZINE - GREEN - all together

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ATTIC ZINE - GREEN - 2

ATTIC ZINE - GREEN - 3

ATTIC ZINE - GREEN - 4

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ATTIC ZINE - GREEN - 15

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ATTIC ZINE - GREEN - 17

ATTIC ZINE - GREEN - 18

ATTIC ZINE - GREEN - 19

ATTIC ZINE - GREEN - 20

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Nicola Winborn hat mich erneut eingeladen, bei ihrem Assembling Magazine ATTIC ZINE teilzunehmen. Diesmal lautet das Thema “Grün”.
Es hat Spaß gemacht, im Baumarkt all die grünen Farbmusterkarten zusammenzustellen. Ich habe damit 20 Originale erstellt, die nun auf dem Weg zu Nicola sind – ich hoffe, sie kommen im Weihnachtspakettrubel gut in England an. Und natürlich hoffe ich auch, dass sie ihr gefallen –  und ich bin gespannt auf die anderen Beiträge.

I was again invited by Nicola Winborn to take part in her assembling magazine ATTIC ZINE, this time themed “Green”.
It was fun to put together all the green color sample cards at the hardware store. With them I have created 20 originals which are now on their way to Nicola – I hope they arrive well in England in the Christmas package hustle and bustle. And of course I also hope she likes them – and I’m looking forward to the other contributions.

Experiment-O – Issue 12

Experiment-O -  Issue #12 - Cover
Experiment-O -  Issue #12 - my contributions all together
Experiment-O -  Issue #12 - page 58
Experiment-O -  Issue #12 - page 59
Experiment-O -  Issue #12 - page 60
Experiment-O -  Issue #12 - page 61
Experiment-O -  Issue #12 - page 62
Experiment-O -  Issue #12 - page 63
Experiment-O -  Issue #12 - page 64
Experiment-O -  Issue #12 - page 65
Experiment-O -  Issue #12 - page 66
Experiment-O -  Issue #12 - page 67
Experiment-O -  Issue #12 - Impressum

Experiment-O - Issue #12 - Cover

Experiment-O - Issue #12 - my contributions all together

Experiment-O - Issue #12 - page 58

Experiment-O - Issue #12 - page 59

Experiment-O - Issue #12 - page 60

Experiment-O - Issue #12 - page 61

Experiment-O - Issue #12 - page 62

Experiment-O - Issue #12 - page 63

Experiment-O - Issue #12 - page 64

Experiment-O - Issue #12 - page 65

Experiment-O - Issue #12 - page 66

Experiment-O - Issue #12 - page 67

Experiment-O - Issue #12 - Impressum

Experiment-O -  Issue #12 - Cover thumbnail
Experiment-O -  Issue #12 - my contributions all together thumbnail
Experiment-O -  Issue #12 - page 58 thumbnail
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Thank you very much Amanda Earl to include me in Experiment-O, Issue #12 (PDF), published by AngelHousePress, November 2019.
Experiment-O is an annual PDF magazine established in 2008. Its aim is to bring attention to works that do what art is supposed to do and that is to risk.
Issue 12 is dedicated to Bill Dimichele, an outlier and an artist (1952-2019)
Featuring Mario José Cervantes, Conyer Clayton, C-M. Frank, Sneha Subramanian Kanta, Billy Mavreas, Concetta Principe, Rasiqra Revulva, Sabine Remy, Claude Smith and Catherine Vidler.I feel in good company and honoured to be a part of it.
Check out the whole magazine and follow the link.
(unpaid advertisement)

Vielen Dank an Amanda Earl, mich einzuladen, Experiment-O, Ausgabe #12 (PDF), veröffentlicht von AngelHousePress, November 2019, aufgenommen hat.
Experiment-O ist ein jährliches PDF-Magazin, das 2008 gegründet wurde. Ziel ist es, auf Werke aufmerksam zu machen, die das tun, was die Kunst tun soll: etwas riskieren.
Ausgabe 12 ist Bill Dimichele gewidmet, einem Außenseiter und Künstler (1952-2019).
Mit Beiträgen von Mario José Cervantes, Conyer Clayton, C-M. Frank, Sneha Subramanian Kanta, Billy Mavreas, Concetta Principe, Rasiqra Revulva, Claude Smith und Catherine Vidler und mir, Sabine Remy.Ich fühle mich in guter Gesellschaft und geehrt, ein Teil davon zu sein.
Schau Dir das ganze Magazin an und folge dem  link.
(unbezahlte Werbung)

Applaudissement Nr. 23

applaudissement 23 - 1
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Applaudissement 23 - 3

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Ich freue mich sehr, wieder mit Collagen in Bernhard Ruschs neuer Ausgabe von “Applaudissement 23 – Zeitschrift für Kunst und Literatur“ vertreten zu sein! Vielen Dank, Bernhard! Es ist wunderbar geworden!
Cover von Brigitte Yoshiko Pruchnow und Beiträge von Maks Dannecker, Graziella Schelle, Falk von Schönfels, Corinna-Rosa Falkenberg, Susanna Schulten, Bobbie Dunn, Holger Sommer, Ulli Schmeling, Brigitte Pruchnow, Carsten Lohse, JoHanna Gabler, Gabriele Rothweiler, Dorothee Deppner, Marika Arkadieff, Gregor Netzer, Eva Maria Horstick, Christian Engelken, Sibylle Möndel, Nino Khundadze, Stan Lafleur, Dorothea Grimme, Julia Dest, Oliver Jung-Kostick, Elke Jordan, Sue Wonderland und mir, Sabine Remy.

Bei Interesse kann Kontakt zu Bernhard Rusch aufgenommen genommen werde – ein paar Exemplare gibt es noch, 5 Euro / 36 Seiten

(freiwillige und unbezahlte Werbung)

english version:
I am very pleased to be again included in “Applaudissement 23 – Magazine for Art and Literature” with my collages. Many thanks to Bernhard Rusch! It’s fantastic!
Cover by Brigitte Yoshiko Pruchnow and contributions by Maks Dannecker, Graziella Schelle, Falk von Schönfels, Corinna-Rosa Falkenberg, Susanna Schulten, Bobbie Dunn, Holger Sommer, Ulli Schmeling, Brigitte Pruchnow, Carsten Lohse, JoHanna Gabler, Gabriele Rothweiler, Dorothee Deppner, Marika Arkadieff, Gregor Netzer, Eva Maria Horstick, Christian Engelken, Sibylle Möndel, Nino Khundadze, Stan Lafleur, Dorothea Grimme, Julia Dest, Oliver Jung-Kostick, Elke Jordan, Sue Wonderland und mir, Sabine Remy.

If you are interested, please contact Bernhard Rusch – a few copies are still available:
5 Euro / 36 pages

(voluntary and unpaid advertising)

Excavations Magazine No. 6

I took part in the assembling magazine „Excavations“ running by Svenja Wahl: 20 artists created 20 original works and send them to Svenja. This resulted in a magazine including 20 original works of each participant with an edition of 20 copies. Each participant received one copy of the magazine.

Participants: Dirk Naguschewski, Vizma Bruns, Matthias Harnisch, Patrizia Tictac, Stefan Frank, Hanna Bayer, FieldStudy, Giovanni & Renata, Diane Bertrand, Siggi Liersch, Sabine Remy, Stefan Heuer, RF Côté, Claudia Garcia, Christian Alle, Joaquin Gómez, Marina Salmaso, Serse Luigetti, Jürgen Olbrich, Svenja Wahl

Excavations No6 - cover
Excavations No6 - open
Excavations No6 - Dirk Naguschewski
Excavations No6 - Vizma Bruns
Excavations No6 - Matthias Harnsich
Excavations No6 - Patrizia Tictac
Excavations No6 - Stefan Frank
Excavations No6 - Hanna Bayer
Excavations No6 - Field Study
Excavations No6 - Giovanni und Renata
Excavations No6 - Diane Bertrand
Excavations No6 - Siggi Liersch
Excavations No6 - Sabine Remy
Excavations No6 - Sabine Remy backside
Excavations No6 - Stefan Heuer
Excavations No6 - RF Cote
Excavations No6 - Claudia Garcia
Excavations No6 - Christian Alle
Excavations No6 - Joaquin Gomez
Excavations No6 - Marina Salmaso
Excavations No6 - Serse Luigetti
Excavations No6 - Juergen Olbrich
Excavations No6 - Svenja Wahl
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten

Excavations No6 - cover

Excavations No6 - open

Excavations No6 - Dirk Naguschewski

Excavations No6 - Vizma Bruns

Excavations No6 - Matthias Harnsich

Excavations No6 - Patrizia Tictac

Excavations No6 - Stefan Frank

Excavations No6 - Hanna Bayer

Excavations No6 - Field Study

Excavations No6 - Giovanni und Renata

Excavations No6 - Diane Bertrand

Excavations No6 - Siggi Liersch

Excavations No6 - Sabine Remy

Excavations No6 - Sabine Remy backside

Excavations No6 - Stefan Heuer

Excavations No6 - RF Cote

Excavations No6 - Claudia Garcia

Excavations No6 - Christian Alle

Excavations No6 - Joaquin Gomez

Excavations No6 - Marina Salmaso

Excavations No6 - Serse Luigetti

Excavations No6 - Juergen Olbrich

Excavations No6 - Svenja Wahl

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten

Excavations No6 - cover thumbnail
Excavations No6 - open thumbnail
Excavations No6 - Dirk Naguschewski thumbnail
Excavations No6 - Vizma Bruns thumbnail
Excavations No6 - Matthias Harnsich thumbnail
Excavations No6 - Patrizia Tictac thumbnail
Excavations No6 - Stefan Frank thumbnail
Excavations No6 - Hanna Bayer thumbnail
Excavations No6 - Field Study thumbnail
Excavations No6 - Giovanni und Renata thumbnail
Excavations No6 - Diane Bertrand thumbnail
Excavations No6 - Siggi Liersch thumbnail
Excavations No6 - Sabine Remy thumbnail
Excavations No6 - Sabine Remy backside thumbnail
Excavations No6 - Stefan Heuer thumbnail
Excavations No6 - RF Cote thumbnail
Excavations No6 - Claudia Garcia thumbnail
Excavations No6 - Christian Alle thumbnail
Excavations No6 - Joaquin Gomez thumbnail
Excavations No6 - Marina Salmaso thumbnail
Excavations No6 - Serse Luigetti thumbnail
Excavations No6 - Juergen Olbrich thumbnail
Excavations No6 - Svenja Wahl thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten thumbnail

Ich habe erneut bei dem Magazine Excavations von Svenja Wahl teilgenommen:
20 Künstler haben je 20 Originalarbeiten in DinA 5 erstellt und an Svenja geschickt. Daraus entstand ein Magazin mit jeweils 20 Originalarbeiten aller Teilnehmenden in einer Auflage von 20 Stück. Jeder der Teilnehmenden hat ein Exemplar des Magazins erhalten.
(Meinen gesamten Beitrag kannst Du hier sehen.)

Wipe No. 120

Zum zweiten Mal habe ich für WIPE – von Davide Dellafiora – einen Beitrag gestempelt. Ich finde die Idee, Kunst auf Toilettenpapier zu machen, wunderbar  – es ist so Dada und so Fluxus. Fantstisch! Und ich finde, mein DADA-Stempel passt perfekt dazu!

Hier nun ist WIPE No 120 – es gefällt mir sehr!

„WIPE
Wipe ist eine kleine Montagepublikation, in der Toilettenpapier das Medium ist. Die Verwendung eines nicht-archivarischen, ja anti-archivarischen Mediums ist beabsichtigt, wobei die Vergänglichkeit und Zerbrechlichkeit des Mediums in scharfem Gegensatz zum künstlerischen Interesse an Archivmaterialien steht. Konzipiert als eine spielerische, leichte Publikation zur Umgehung der Portokosten, nickt Wipe Duchamps Urinal zu und fordert die Mitwirkenden auf, an einem Medium zu arbeiten, das fast kunstfeindlich ist.
Die Mitwirkenden beziehen ihr eigenes Toilettenpapier, eine Quelle der Faszination an sich und einen Kommentar zu den Hygienepraktiken der verschiedenen Gesellschaften. Trotz seiner beabsichtigten Flüchtigkeit ermöglicht Toilettenpapier das Prägen, Nähen, Collagieren und sogar Frottieren von Gummi. Wenn 20 Beiträge eingegangen sind, wird Wipe per Post an die Teilnehmer verteilt (Text von Susan Hartigan).
Begrenzte Exemplare der WIPE 120 sind für 20 US-Dollar (einschließlich internationaler p&p-E-Mails) für weitere Details erhältlich.“ (Quelle) (unbezahlte Werbung)

Wipe 120 running by David Dellafiora
Wipe 120 - My contribution
Wipe 120 - participants

Wipe 120 running by David Dellafiora

Wipe 120 - My contribution

Wipe 120 - participants

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english version:
For the second time I made a contribution for the assembling magazine WIPE, running by David Dellafiora. I absolutely love the idea to create art on toilet tissue – this is so Dada and so Fluxus. And my new Dada stamp fits perfectly to this zine. And here it is – WIPE No. 120. I like it very much! And I already send a new contribution for the next one.

„Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan) 
Limited copies of WIPE 120 are available for sale for $20 US (including international p&p) email for further details.“ (Source) (unpaid advertisement)

Attic Zine

Attic Zine No4 - Purple - all together
Attic Zine No4 - Purple - cover
Attic Zine No4 - Purple - Teilnehmer Participants
Attic Zine No4 - Purple - Nicola Winborn
Attic Zine No4 - Purple - Vitaly Maklakov
Attic Zine No4 - Purple - Cheryl Chudyk
Attic Zine No4 - Purple - David Mattingly
Attic Zine No4 - Purple - Sabine Remy - my contribution
Attic Zine No4 - Purple - Sabine Remy - my contribution all together
Attic Zine No4 - Purple - Nicola Winborn 2
Attic Zine No4 - Purple - Rafael Gonzalez
Attic Zine No4 - Purple - Susan Gold
Attic Zine No4 - Purple - Essexdebs
Attic Zine No4 - Purple - Sabela Bana
Attic Zine No4 - Purple - Cathryn Stone
Attic Zine No4 - Purple - Aaron Jesko
Attic Zine No4 - Purple - Karen D´Angelo
Attic Zine No4 - Purple - Fernando Garcia Delgado
Attic Zine No4 - Purple - Anna Patrizia Settembre
Attic Zine No4 - Purple - Maya Lopez Muro

Attic Zine No4 - Purple - all together

Attic Zine No4 - Purple - cover

Attic Zine No4 - Purple - Teilnehmer Participants

Attic Zine No4 - Purple - Nicola Winborn

Attic Zine No4 - Purple - Vitaly Maklakov

Attic Zine No4 - Purple - Cheryl Chudyk

Attic Zine No4 - Purple - David Mattingly

Attic Zine No4 - Purple - Sabine Remy - my contribution

Attic Zine No4 - Purple - Sabine Remy - my contribution all together

Attic Zine No4 - Purple - Nicola Winborn 2

Attic Zine No4 - Purple - Rafael Gonzalez

Attic Zine No4 - Purple - Susan Gold

Attic Zine No4 - Purple - Essexdebs

Attic Zine No4 - Purple - Sabela Bana

Attic Zine No4 - Purple - Cathryn Stone

Attic Zine No4 - Purple - Aaron Jesko

Attic Zine No4 - Purple - Karen D´Angelo

Attic Zine No4 - Purple - Fernando Garcia Delgado

Attic Zine No4 - Purple - Anna Patrizia Settembre

Attic Zine No4 - Purple - Maya Lopez Muro

Attic Zine No4 - Purple - all together thumbnail
Attic Zine No4 - Purple - cover thumbnail
Attic Zine No4 - Purple - Teilnehmer Participants thumbnail
Attic Zine No4 - Purple - Nicola Winborn thumbnail
Attic Zine No4 - Purple - Vitaly Maklakov thumbnail
Attic Zine No4 - Purple - Cheryl Chudyk thumbnail
Attic Zine No4 - Purple - David Mattingly thumbnail
Attic Zine No4 - Purple - Sabine Remy - my contribution thumbnail
Attic Zine No4 - Purple - Sabine Remy - my contribution all together thumbnail
Attic Zine No4 - Purple - Nicola Winborn 2 thumbnail
Attic Zine No4 - Purple - Rafael Gonzalez thumbnail
Attic Zine No4 - Purple - Susan Gold thumbnail
Attic Zine No4 - Purple - Essexdebs thumbnail
Attic Zine No4 - Purple - Sabela Bana thumbnail
Attic Zine No4 - Purple - Cathryn Stone thumbnail
Attic Zine No4 - Purple - Aaron Jesko thumbnail
Attic Zine No4 - Purple - Karen D´Angelo thumbnail
Attic Zine No4 - Purple - Fernando Garcia Delgado thumbnail
Attic Zine No4 - Purple - Anna Patrizia Settembre thumbnail
Attic Zine No4 - Purple - Maya Lopez Muro thumbnail

Nicola Winborn hat mich eingeladen, bei ihrem Assembling Magazine ATTIC ZINE teilzunehmen. Vielen Dank für die Einladung! Diesmal lautete das Thema “Lila”. Nun habe ich das Magazin erhalten – es sind schöne Beiträge dabei.
Hier sind meine 20 Originale zu sehen – mit lila Briefmarken und meinem – lila – Dada-Stempel.

I was invited by Nicola Winborn to take part in her assembling magazine ATTIC ZINE, this time themed “Purple”. Thank you very much for inviting me. This time the theme was „Purple“. Now I have received the magazine – there are nice articles.
Here you can see my 20 originals – with purple stamps and my – purple – Dada stamp.