Excavations Magazine (5)

Excavations Magazine No 5 by Svenja Wahl
Excavations Magazine No 5 by Svenja Wahl - all together
Excavations Magazine No 5 - Contribution from David Dellafiora
Excavations Magazine No 5 - Contribution from Marina Salmaso
Excavations Magazine No 5 - my own ontribution
Excavations Magazine No 5 - Contribution from Lubomyr Tymkiv
Excavations Magazine No 5 - Contribution from RF Cote
Excavations Magazine No 5 - Contribution from Matthias Harnisch
Excavations Magazine No 5 - Contribution from Stefan Heuer
Excavations Magazine No 5 - Contribution from Giovanni Renata StraDaDa
Excavations Magazine No 5 - Contribution from Diana Bertrand
Excavations Magazine No 5 - Contribution from TicTac Patrizia
Excavations Magazine No 5 - Contribution from Renate Ortner
Excavations Magazine No 5 - Contribution from Juergen Olbrich
Excavations Magazine No 5 - Contribution from Christian Alle Nada-Zero
Excavations Magazine No 5 - Contribution from Hanna Bayer
Excavations Magazine No 5 - Contribution from Siggi Liersch
Excavations Magazine No 5 - Contribution from Joaquin Gomez
Excavations Magazine No 5 - Contribution from Andrew Maximilian Niss
Excavations Magazine No 5 - Contribution from Antonio Gomez
Excavations Magazine No 5 - Contribution from Susan Lerner
Excavations Magazine No 5 - Contribution from Svenja Wahl

Excavations Magazine No 5 by Svenja Wahl

Excavations Magazine No 5 by Svenja Wahl - all together

Excavations Magazine No 5 - Contribution from David Dellafiora

Excavations Magazine No 5 - Contribution from Marina Salmaso

Excavations Magazine No 5 - my own ontribution

Excavations Magazine No 5 - Contribution from Lubomyr Tymkiv

Excavations Magazine No 5 - Contribution from RF Cote

Excavations Magazine No 5 - Contribution from Matthias Harnisch

Excavations Magazine No 5 - Contribution from Stefan Heuer

Excavations Magazine No 5 - Contribution from Giovanni Renata StraDaDa

Excavations Magazine No 5 - Contribution from Diana Bertrand

Excavations Magazine No 5 - Contribution from TicTac Patrizia

Excavations Magazine No 5 - Contribution from Renate Ortner

Excavations Magazine No 5 - Contribution from Juergen Olbrich

Excavations Magazine No 5 - Contribution from Christian Alle Nada-Zero

Excavations Magazine No 5 - Contribution from Hanna Bayer

Excavations Magazine No 5 - Contribution from Siggi Liersch

Excavations Magazine No 5 - Contribution from Joaquin Gomez

Excavations Magazine No 5 - Contribution from Andrew Maximilian Niss

Excavations Magazine No 5 - Contribution from Antonio Gomez

Excavations Magazine No 5 - Contribution from Susan Lerner

Excavations Magazine No 5 - Contribution from Svenja Wahl

Excavations Magazine No 5 by Svenja Wahl thumbnail
Excavations Magazine No 5 by Svenja Wahl - all together thumbnail
Excavations Magazine No 5 - Contribution from David Dellafiora thumbnail
Excavations Magazine No 5 - Contribution from Marina Salmaso thumbnail
Excavations Magazine No 5 - my own ontribution thumbnail
Excavations Magazine No 5 - Contribution from Lubomyr Tymkiv thumbnail
Excavations Magazine No 5 - Contribution from RF Cote thumbnail
Excavations Magazine No 5 - Contribution from Matthias Harnisch thumbnail
Excavations Magazine No 5 - Contribution from Stefan Heuer thumbnail
Excavations Magazine No 5 - Contribution from Giovanni Renata StraDaDa thumbnail
Excavations Magazine No 5 - Contribution from Diana Bertrand thumbnail
Excavations Magazine No 5 - Contribution from TicTac Patrizia thumbnail
Excavations Magazine No 5 - Contribution from Renate Ortner thumbnail
Excavations Magazine No 5 - Contribution from Juergen Olbrich thumbnail
Excavations Magazine No 5 - Contribution from Christian Alle Nada-Zero thumbnail
Excavations Magazine No 5 - Contribution from Hanna Bayer thumbnail
Excavations Magazine No 5 - Contribution from Siggi Liersch thumbnail
Excavations Magazine No 5 - Contribution from Joaquin Gomez thumbnail
Excavations Magazine No 5 - Contribution from Andrew Maximilian Niss thumbnail
Excavations Magazine No 5 - Contribution from Antonio Gomez thumbnail
Excavations Magazine No 5 - Contribution from Susan Lerner thumbnail
Excavations Magazine No 5 - Contribution from Svenja Wahl thumbnail

For the fourth time I took part in the assembling magazine Excavations running by Svenja Wahl: 20 artists created 20 original works and send them to Svenja. This resulted in a magazine including 20 original works of each participant with an edition of 20 copies. Each participant received one copy of the magazine.
(You can see my whole contribution here.)

Zum nunmehr vierten Mal habe ich bei dem Magazine Excavations von Svenja Wahl teilgenommen:
20 Künstler haben je 20 Originalarbeiten in DinA 5 erstellt und an Svenja geschickt. Daraus entstand ein Magazin mit jeweils 20 Originalarbeiten aller Teilnehmenden in einer Auflage von 20 Stück. Jeder der Teilnehmenden hat ein Exemplar des Magazins erhalten.
(Meinen gesamten Beitrag kannst Du hier sehen.)

Aquarius – for Zine in a box

Aquarius 25 Originale
Aquarius Motiv 1
Aquarius Motiv 2
Aquarius Motiv 3
Aquarius Motiv 4
Aquarius Motiv 5

Aquarius 25 Originale

Aquarius Motiv 1

Aquarius Motiv 2

Aquarius Motiv 3

Aquarius Motiv 4

Aquarius Motiv 5

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Ich habe 25 Original-Collagen für TIC TAC Patrizias “Zine in a box” gemacht – dies ist mein dritter Beitrag für ihr fantastisches Assembling-Magazin. Benäht, mit einem alten Button

I made 25 original collages for TIC TAC Patrizia´s “Zine in a box” - which is now my third contribution for her fantastic assembling box. Sewed, with a vintage badge

Unforgettable Moments

25 Original-Collagen aus Souvenirfotos von unterschiedlichen Orten kombiniert, ein “übrig gebliebenes” Bild aus meinem Funduauf  Magazinseiten

25 original collages out combined souvenir photos from different places on vintage magazine pages, added on each one of my left over images.

Unfogettable Moments all together
Unforgettable Moments 1
Unforgettable Moments 2
Unforgettable Moments 3
Unforgettable Moments 4
Unforgettable Moments 5
Unforgettable Moments 6
Unforgettable Moments 7
Unforgettable Moments 8
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Unforgettable Moments 10
Unforgettable Moments 11
Unforgettable Moments 12
Unforgettable Moments 13
Unforgettable Moments 14
Unforgettable Moments 15
Unforgettable Moments 16
Unforgettable Moments 17
Unforgettable Moments 18
Unforgettable Moments 19
Unforgettable Moments 20
Unforgettable Moments 21
Unforgettable Moments 22
Unforgettable Moments 23
Unforgettable Moments 24
Unforgettable Moments 25

Unfogettable Moments all together

Unforgettable Moments 1

Unforgettable Moments 2

Unforgettable Moments 3

Unforgettable Moments 4

Unforgettable Moments 5

Unforgettable Moments 6

Unforgettable Moments 7

Unforgettable Moments 8

Unforgettable Moments 9 1

Unforgettable Moments 10

Unforgettable Moments 11

Unforgettable Moments 12

Unforgettable Moments 13

Unforgettable Moments 14

Unforgettable Moments 15

Unforgettable Moments 16

Unforgettable Moments 17

Unforgettable Moments 18

Unforgettable Moments 19

Unforgettable Moments 20

Unforgettable Moments 21

Unforgettable Moments 22

Unforgettable Moments 23

Unforgettable Moments 24

Unforgettable Moments 25

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East Meets West
My contribution for Franticham´s Assembling Box

Und das ist mein Beitrag für “Franticham’s Assembling box NR 38″:
Ich habe 40 DinA formatige (21 x 14,8 cm) Collagen gemacht, bei denen ich immer das gleiche Bild eines gestickten roten oder blauen Hauses benutzt habe (die Prints kommen aus Europa), sowie Kopien aus alten chinesischen Comicheften und Sprechblasen aus einem Englischlehrbuch. Der rote Stempel ist mein Name in Chinesisch – er wurde extra angefertigt und ist ein Geschenk, das mir mein Partner zu Beginn des Jahres aus China mitgebracht hat. Unten sind alle 40 Collagen zu sehen.

And this is my contribution for “Franticham’s Assembling box NR 38″:
I made 40 DinA 5 sized (8,3 x 5,8 inches) collages with always the same image of an embroidered red or blue house (the prints are from Europa), copies from vintage Chinese comics and lettering out of an school book for english lessons. The red stamp is my name in Chinese – it was custom-built for me and a souvenir my partner brought me from China at the beginning of the year. Below you can see all 40 collages. This is my contribution to “Franticham’s Assembling box” – you can see more about this box tomorrow.

East Meets West 40
East Meets West 39
East Meets West 38
East Meets West 37
East Meets West 36
East Meets West 35
East Meets West 34
East Meets West 33
East Meets West 32
East Meets West 31
East Meets West 30
East Meets West 29
East Meets West 28
East Meets West 27
East Meets West 26
East Meets West 25
East Meets West 24
East Meets West 23
East Meets West 22
East Meets West 21
East Meets West 20
East Meets West 19
East Meets West 18
East Meets West 17
East Meets West 16
East Meets West 15
East Meets West 14
East Meets West 13
East Meets West 12
East Meets West 11
East Meets West 10
East Meets West 09
East Meets West 08
East Meets West 07
East Meets West 06
East Meets West 05
East Meets West 04
East Meets West 03
East Meets West 02
East Meets West 01
To Frantichams Assembling Box Redfoypress

East Meets West 40

East Meets West 39

East Meets West 38

East Meets West 37

East Meets West 36

East Meets West 35

East Meets West 34

East Meets West 33

East Meets West 32

East Meets West 31

East Meets West 30

East Meets West 29

East Meets West 28

East Meets West 27

East Meets West 26

East Meets West 25

East Meets West 24

East Meets West 23

East Meets West 22

East Meets West 21

East Meets West 20

East Meets West 19

East Meets West 18

East Meets West 17

East Meets West 16

East Meets West 15

East Meets West 14

East Meets West 13

East Meets West 12

East Meets West 11

East Meets West 10

East Meets West 09

East Meets West 08

East Meets West 07

East Meets West 06

East Meets West 05

East Meets West 04

East Meets West 03

East Meets West 02

East Meets West 01

To Frantichams Assembling Box Redfoypress

East Meets West 40 thumbnail
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To Frantichams Assembling Box Redfoypress thumbnail

Field Report 2017

Field Report -
Field Report -
Bestandteil: Chinesisches Opferpater - I used Chinese sacrifice paper
Bestandteil: Kopie eines Fotos von meiner Chinareise in der Verbotenen Stadt - I used a copy from a photo I took during my China trip at the Forbidden City
Ausschreibung Call

Field Report - "Preseason in China" 100 Copies

Field Report - "Preseason in China"

Bestandteil: Chinesisches Opferpater - I used Chinese sacrifice paper

Bestandteil: Kopie eines Fotos von meiner Chinareise in der Verbotenen Stadt - I used a copy from a photo I took during my China trip at the Forbidden City

Ausschreibung Call

Field Report -
Field Report -
Bestandteil: Chinesisches Opferpater - I used Chinese sacrifice paper thumbnail
Bestandteil: Kopie eines Fotos von meiner Chinareise in der Verbotenen Stadt - I used a copy from a photo I took during my China trip at the Forbidden City thumbnail
Ausschreibung Call thumbnail

“Preseason in China” – 100 papers to David Dellafiora`s Field Report – an assembling magazine.

“Nachsaison in China ” – 100 Blätter an David Dellafiora`s Field Report – ein Magazin mit Beiträgen unterschiedlicher Künstler.

Applaudissement

Vielen Dank an Bernhard Rusch das ich nun schon zum 2. Mal mit meinen Collagen in seinem Magazin “Applaudissement” dabei sein durfte. Das freut mich sehr! Eine Zeitschrift für Kunst und Literatur – lesenswert.

Thank you very much Bernhard Rusch for including my collages in his magazine “Applaudissement” again. Much appreciated! A magazine for art and literature – worth reading!

Zine in a box – No14

Vielen Dank an Tictac Ptrzia für die Einladung, an ihrem “Zine in a box“ teilzunehmen. “Zine in a Box – Made in Mailart ist ein Kunstmagazin mit Originalarbeiten von internationalen Teilnehmern, zusammengefasst in einer handgemachten Schachtel”. Hier kannst Du meinen Beitrag sehen.

Many thanks to Tictac Ptrzia for giving me the opportunity to take part in her “Zine in a box” again – here is Edition No. 14. “Zine in a Box, Made in Mailart is an art zine with original works from international participants and contained in a box made by hand.” Here you can see my contribution.

KART – by Field Study International

Ich freue mich sehr, bei KART mitmachen zu dürfen. KART ist ein Sammelmagazin in einer Box, ein fortlaufendes Projekt ohne Endtermin, eine Publikation, um die künstlerische und kulturelle Vielfalt zu fördern. KART wird in einer jeweils limitierten Auflage von 40 Stück produziert, jede Box enthält Arbeiten von 15 Künstlern. KART ist eine Kooperation zwischen Karingal und Field Study International. (Quelle: Field Study International von David Dellafiora) Oben kannst Du meinen Beitrag sehen: 40 originale Linolschnittdrucke.

I am very pleased to be able to participate in KART: “…KART, an instant art collection in a box! … KART magazine is an assembling publication promoting artistic and cultural diversity. KART is an ongoing project with no deadlines and work is accepted on a continuing basis. KART is produced in limited editions of 40, each box containing works by 15 artists. … KART is published as collaboration between Karingal and Field Study International.” (Source: Field Study International running by David Dellafiora) Above you can see my contribution: 40 original lino cuts prints.

Excavations Magazine No3

For the third time I took part in the assembling magazine Excavations running by Svenja Wahl: 20 artists created 20 original works and send them to Svenja. This resulted in a magazine including 20 original works of each participant with an edition of 20 copies. Each participant received one copy of the magazine.
Other participants are: Stefan Heuer, Hartmut Graf, RF Coté, Angela Behrendt, Gina Ulgen, Marina Salmaso, Tictac Patrizia, Vizma Bruns, Linda Pelati, Laurence Gillot-Artpostaliste, Peter Müller, Tiziana Baracchi, Stefan Frank, Siggi Liersch, Pier Roberto Bassi, Antonio Gomez, Cheryl Parker, Martine Rastello, Svenja Wahl
(You can see my contribution here.)

Zum nunmehr dritten Mal habe ich bei dem Magazine Excavations von Svenja Wahl teilgenommen:
20 Künstler haben je 20 Originalarbeiten in DinA 5 erstellt und an Svenja geschickt. Daraus entstand ein Magazin mit jeweils 20 Originalarbeiten aller Teilnehmenden in einer Auflage von 20 Stück. Jeder der Teilnehmenden hat ein Exemplar des Magazins erhalten.
Die anderen Teilnehmer sind: Stefan Heuer, Hartmut Graf, RF Coté, Angela Behrendt, Gina Ulgen, Marina Salmaso, Tictac Patrizia, Vizma Bruns, Linda Pelati, Laurence Gillot-Artpostaliste, Peter Müller, Tiziana Baracchi, Stefan Frank, Siggi Liersch, Pier Roberto Bassi, Antonio Gomez, Cheryl Parker, Martine Rastello, Svenja Wahl
(Meinen Beitrag kannst Du hier sehen.)

Zine in a Box – Edition No. 13

Vielen Dank an Tictac Ptrzia für die Einladung, an ihrem “Zine in a box“ teilzunehmen. “Zine in a Box – Made in Mailart ist ein Kunstmagazin mit Originalarbeiten von internationalen Teilnehmern, zusammengefasst in einer handgemachten Schachtel”. Hier kannst Du meinen Beitrag sehen.

Many thanks to Tictac Ptrzia for inviting me to take part in her “Zine in a box” -Edition No. 13. “Zine in a Box, Made in Mailart is an art zine with original works from international participants and contained in a box made by hand.” Here you can see my contribution.

Teilnehmer / Participants of Edition 13: Alexander Limarev, Russia Alfonso Aguado Ortuño, Spain Angela Behrendt, Germany Antonio Gomez, Spain Beltran Laguna, Spain Cheryl Penn, South Africa Cesar Reglero Campos, Spain Dame Mailarta, Canada David Dellafiora, Australia Emilio Morandi, Italy Ferran Destemple, Spain Giancarlo Da Lio, Italy Joaquin Gomez, Spain Jürgen O. Olbrich, Germany Laurence Gillot, France Picasso Gaglione, USA Roberto Scala, Italy Sabine Remy, Germany Tiziana Baracchi, Italy Thorsten Fuhrmann, Germany Torill Elizabeth Larsen, Norway Vittore Baroni, Italy Ptrzia(TICTAC), Germany