Attic Zine – Green

ATTIC ZINE - GREEN - all together
ATTIC ZINE - GREEN - 1
ATTIC ZINE - GREEN - 2
ATTIC ZINE - GREEN - 3
ATTIC ZINE - GREEN - 4
ATTIC ZINE - GREEN - 5
ATTIC ZINE - GREEN - 6
ATTIC ZINE - GREEN - 7
ATTIC ZINE - GREEN - 8
ATTIC ZINE - GREEN - 9
ATTIC ZINE - GREEN - 10
ATTIC ZINE - GREEN - 11
ATTIC ZINE - GREEN - 12
ATTIC ZINE - GREEN - 13
ATTIC ZINE - GREEN - 14
ATTIC ZINE - GREEN - 15
ATTIC ZINE - GREEN - 16
ATTIC ZINE - GREEN - 17
ATTIC ZINE - GREEN - 18
ATTIC ZINE - GREEN - 19
ATTIC ZINE - GREEN - 20

ATTIC ZINE - GREEN - all together

ATTIC ZINE - GREEN - 1

ATTIC ZINE - GREEN - 2

ATTIC ZINE - GREEN - 3

ATTIC ZINE - GREEN - 4

ATTIC ZINE - GREEN - 5

ATTIC ZINE - GREEN - 6

ATTIC ZINE - GREEN - 7

ATTIC ZINE - GREEN - 8

ATTIC ZINE - GREEN - 9

ATTIC ZINE - GREEN - 10

ATTIC ZINE - GREEN - 11

ATTIC ZINE - GREEN - 12

ATTIC ZINE - GREEN - 13

ATTIC ZINE - GREEN - 14

ATTIC ZINE - GREEN - 15

ATTIC ZINE - GREEN - 16

ATTIC ZINE - GREEN - 17

ATTIC ZINE - GREEN - 18

ATTIC ZINE - GREEN - 19

ATTIC ZINE - GREEN - 20

ATTIC ZINE - GREEN - all together thumbnail
ATTIC ZINE - GREEN - 1 thumbnail
ATTIC ZINE - GREEN - 2 thumbnail
ATTIC ZINE - GREEN - 3 thumbnail
ATTIC ZINE - GREEN - 4 thumbnail
ATTIC ZINE - GREEN - 5 thumbnail
ATTIC ZINE - GREEN - 6 thumbnail
ATTIC ZINE - GREEN - 7 thumbnail
ATTIC ZINE - GREEN - 8 thumbnail
ATTIC ZINE - GREEN - 9 thumbnail
ATTIC ZINE - GREEN - 10 thumbnail
ATTIC ZINE - GREEN - 11 thumbnail
ATTIC ZINE - GREEN - 12 thumbnail
ATTIC ZINE - GREEN - 13 thumbnail
ATTIC ZINE - GREEN - 14 thumbnail
ATTIC ZINE - GREEN - 15 thumbnail
ATTIC ZINE - GREEN - 16 thumbnail
ATTIC ZINE - GREEN - 17 thumbnail
ATTIC ZINE - GREEN - 18 thumbnail
ATTIC ZINE - GREEN - 19 thumbnail
ATTIC ZINE - GREEN - 20 thumbnail

Nicola Winborn hat mich erneut eingeladen, bei ihrem Assembling Magazine ATTIC ZINE teilzunehmen. Diesmal lautet das Thema “Grün”.
Es hat Spaß gemacht, im Baumarkt all die grünen Farbmusterkarten zusammenzustellen. Ich habe damit 20 Originale erstellt, die nun auf dem Weg zu Nicola sind – ich hoffe, sie kommen im Weihnachtspakettrubel gut in England an. Und natürlich hoffe ich auch, dass sie ihr gefallen –  und ich bin gespannt auf die anderen Beiträge.

I was again invited by Nicola Winborn to take part in her assembling magazine ATTIC ZINE, this time themed “Green”.
It was fun to put together all the green color sample cards at the hardware store. With them I have created 20 originals which are now on their way to Nicola – I hope they arrive well in England in the Christmas package hustle and bustle. And of course I also hope she likes them – and I’m looking forward to the other contributions.

Experiment-O – Issue 12

Experiment-O -  Issue #12 - Cover
Experiment-O -  Issue #12 - my contributions all together
Experiment-O -  Issue #12 - page 58
Experiment-O -  Issue #12 - page 59
Experiment-O -  Issue #12 - page 60
Experiment-O -  Issue #12 - page 61
Experiment-O -  Issue #12 - page 62
Experiment-O -  Issue #12 - page 63
Experiment-O -  Issue #12 - page 64
Experiment-O -  Issue #12 - page 65
Experiment-O -  Issue #12 - page 66
Experiment-O -  Issue #12 - page 67
Experiment-O -  Issue #12 - Impressum

Experiment-O - Issue #12 - Cover

Experiment-O - Issue #12 - my contributions all together

Experiment-O - Issue #12 - page 58

Experiment-O - Issue #12 - page 59

Experiment-O - Issue #12 - page 60

Experiment-O - Issue #12 - page 61

Experiment-O - Issue #12 - page 62

Experiment-O - Issue #12 - page 63

Experiment-O - Issue #12 - page 64

Experiment-O - Issue #12 - page 65

Experiment-O - Issue #12 - page 66

Experiment-O - Issue #12 - page 67

Experiment-O - Issue #12 - Impressum

Experiment-O -  Issue #12 - Cover thumbnail
Experiment-O -  Issue #12 - my contributions all together thumbnail
Experiment-O -  Issue #12 - page 58 thumbnail
Experiment-O -  Issue #12 - page 59 thumbnail
Experiment-O -  Issue #12 - page 60 thumbnail
Experiment-O -  Issue #12 - page 61 thumbnail
Experiment-O -  Issue #12 - page 62 thumbnail
Experiment-O -  Issue #12 - page 63 thumbnail
Experiment-O -  Issue #12 - page 64 thumbnail
Experiment-O -  Issue #12 - page 65 thumbnail
Experiment-O -  Issue #12 - page 66 thumbnail
Experiment-O -  Issue #12 - page 67 thumbnail
Experiment-O -  Issue #12 - Impressum thumbnail

Thank you very much Amanda Earl to include me in Experiment-O, Issue #12 (PDF), published by AngelHousePress, November 2019.
Experiment-O is an annual PDF magazine established in 2008. Its aim is to bring attention to works that do what art is supposed to do and that is to risk.
Issue 12 is dedicated to Bill Dimichele, an outlier and an artist (1952-2019)
Featuring Mario José Cervantes, Conyer Clayton, C-M. Frank, Sneha Subramanian Kanta, Billy Mavreas, Concetta Principe, Rasiqra Revulva, Sabine Remy, Claude Smith and Catherine Vidler.I feel in good company and honoured to be a part of it.
Check out the whole magazine and follow the link.
(unpaid advertisement)

Vielen Dank an Amanda Earl, mich einzuladen, Experiment-O, Ausgabe #12 (PDF), veröffentlicht von AngelHousePress, November 2019, aufgenommen hat.
Experiment-O ist ein jährliches PDF-Magazin, das 2008 gegründet wurde. Ziel ist es, auf Werke aufmerksam zu machen, die das tun, was die Kunst tun soll: etwas riskieren.
Ausgabe 12 ist Bill Dimichele gewidmet, einem Außenseiter und Künstler (1952-2019).
Mit Beiträgen von Mario José Cervantes, Conyer Clayton, C-M. Frank, Sneha Subramanian Kanta, Billy Mavreas, Concetta Principe, Rasiqra Revulva, Claude Smith und Catherine Vidler und mir, Sabine Remy.Ich fühle mich in guter Gesellschaft und geehrt, ein Teil davon zu sein.
Schau Dir das ganze Magazin an und folge dem  link.
(unbezahlte Werbung)

Applaudissement Nr. 23

applaudissement 23 - 1
Applaudissement 23 - 2
Applaudissement 23 - 3

applaudissement 23 - 1

Applaudissement 23 - 2

Applaudissement 23 - 3

applaudissement 23 - 1 thumbnail
Applaudissement 23 - 2 thumbnail
Applaudissement 23 - 3 thumbnail

Ich freue mich sehr, wieder mit Collagen in Bernhard Ruschs neuer Ausgabe von “Applaudissement 23 – Zeitschrift für Kunst und Literatur” vertreten zu sein! Vielen Dank, Bernhard! Es ist wunderbar geworden!
Cover von Brigitte Yoshiko Pruchnow und Beiträge von Maks Dannecker, Graziella Schelle, Falk von Schönfels, Corinna-Rosa Falkenberg, Susanna Schulten, Bobbie Dunn, Holger Sommer, Ulli Schmeling, Brigitte Pruchnow, Carsten Lohse, JoHanna Gabler, Gabriele Rothweiler, Dorothee Deppner, Marika Arkadieff, Gregor Netzer, Eva Maria Horstick, Christian Engelken, Sibylle Möndel, Nino Khundadze, Stan Lafleur, Dorothea Grimme, Julia Dest, Oliver Jung-Kostick, Elke Jordan, Sue Wonderland und mir, Sabine Remy.

Bei Interesse kann Kontakt zu Bernhard Rusch aufgenommen genommen werde - ein paar Exemplare gibt es noch, 5 Euro / 36 Seiten

(freiwillige und unbezahlte Werbung)

english version:
I am very pleased to be again included in “Applaudissement 23 – Magazine for Art and Literature” with my collages. Many thanks to Bernhard Rusch! It’s fantastic!
Cover by Brigitte Yoshiko Pruchnow and contributions by Maks Dannecker, Graziella Schelle, Falk von Schönfels, Corinna-Rosa Falkenberg, Susanna Schulten, Bobbie Dunn, Holger Sommer, Ulli Schmeling, Brigitte Pruchnow, Carsten Lohse, JoHanna Gabler, Gabriele Rothweiler, Dorothee Deppner, Marika Arkadieff, Gregor Netzer, Eva Maria Horstick, Christian Engelken, Sibylle Möndel, Nino Khundadze, Stan Lafleur, Dorothea Grimme, Julia Dest, Oliver Jung-Kostick, Elke Jordan, Sue Wonderland und mir, Sabine Remy.

If you are interested, please contact Bernhard Rusch – a few copies are still available:
5 Euro / 36 pages

(voluntary and unpaid advertising)

Excavations Magazine No. 6

I took part in the assembling magazine “Excavations” running by Svenja Wahl: 20 artists created 20 original works and send them to Svenja. This resulted in a magazine including 20 original works of each participant with an edition of 20 copies. Each participant received one copy of the magazine.

Participants: Dirk Naguschewski, Vizma Bruns, Matthias Harnisch, Patrizia Tictac, Stefan Frank, Hanna Bayer, FieldStudy, Giovanni & Renata, Diane Bertrand, Siggi Liersch, Sabine Remy, Stefan Heuer, RF Côté, Claudia Garcia, Christian Alle, Joaquin Gómez, Marina Salmaso, Serse Luigetti, Jürgen Olbrich, Svenja Wahl

Excavations No6 - cover
Excavations No6 - open
Excavations No6 - Dirk Naguschewski
Excavations No6 - Vizma Bruns
Excavations No6 - Matthias Harnsich
Excavations No6 - Patrizia Tictac
Excavations No6 - Stefan Frank
Excavations No6 - Hanna Bayer
Excavations No6 - Field Study
Excavations No6 - Giovanni und Renata
Excavations No6 - Diane Bertrand
Excavations No6 - Siggi Liersch
Excavations No6 - Sabine Remy
Excavations No6 - Sabine Remy backside
Excavations No6 - Stefan Heuer
Excavations No6 - RF Cote
Excavations No6 - Claudia Garcia
Excavations No6 - Christian Alle
Excavations No6 - Joaquin Gomez
Excavations No6 - Marina Salmaso
Excavations No6 - Serse Luigetti
Excavations No6 - Juergen Olbrich
Excavations No6 - Svenja Wahl
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten

Excavations No6 - cover

Excavations No6 - open

Excavations No6 - Dirk Naguschewski

Excavations No6 - Vizma Bruns

Excavations No6 - Matthias Harnsich

Excavations No6 - Patrizia Tictac

Excavations No6 - Stefan Frank

Excavations No6 - Hanna Bayer

Excavations No6 - Field Study

Excavations No6 - Giovanni und Renata

Excavations No6 - Diane Bertrand

Excavations No6 - Siggi Liersch

Excavations No6 - Sabine Remy

Excavations No6 - Sabine Remy backside

Excavations No6 - Stefan Heuer

Excavations No6 - RF Cote

Excavations No6 - Claudia Garcia

Excavations No6 - Christian Alle

Excavations No6 - Joaquin Gomez

Excavations No6 - Marina Salmaso

Excavations No6 - Serse Luigetti

Excavations No6 - Juergen Olbrich

Excavations No6 - Svenja Wahl

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne

Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten

Excavations No6 - cover thumbnail
Excavations No6 - open thumbnail
Excavations No6 - Dirk Naguschewski thumbnail
Excavations No6 - Vizma Bruns thumbnail
Excavations No6 - Matthias Harnsich thumbnail
Excavations No6 - Patrizia Tictac thumbnail
Excavations No6 - Stefan Frank thumbnail
Excavations No6 - Hanna Bayer thumbnail
Excavations No6 - Field Study thumbnail
Excavations No6 - Giovanni und Renata thumbnail
Excavations No6 - Diane Bertrand thumbnail
Excavations No6 - Siggi Liersch thumbnail
Excavations No6 - Sabine Remy thumbnail
Excavations No6 - Sabine Remy backside thumbnail
Excavations No6 - Stefan Heuer thumbnail
Excavations No6 - RF Cote thumbnail
Excavations No6 - Claudia Garcia thumbnail
Excavations No6 - Christian Alle thumbnail
Excavations No6 - Joaquin Gomez thumbnail
Excavations No6 - Marina Salmaso thumbnail
Excavations No6 - Serse Luigetti thumbnail
Excavations No6 - Juergen Olbrich thumbnail
Excavations No6 - Svenja Wahl thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt 22 Originale thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - vorne thumbnail
Excavations No6 - Mein Beitrag - What´s left of the day / Was am Tage uebrig bleibt - hinten thumbnail

Ich habe erneut bei dem Magazine Excavations von Svenja Wahl teilgenommen:
20 Künstler haben je 20 Originalarbeiten in DinA 5 erstellt und an Svenja geschickt. Daraus entstand ein Magazin mit jeweils 20 Originalarbeiten aller Teilnehmenden in einer Auflage von 20 Stück. Jeder der Teilnehmenden hat ein Exemplar des Magazins erhalten.
(Meinen gesamten Beitrag kannst Du hier sehen.)

Wipe No. 120

Zum zweiten Mal habe ich für WIPE – von Davide Dellafiora - einen Beitrag gestempelt. Ich finde die Idee, Kunst auf Toilettenpapier zu machen, wunderbar  - es ist so Dada und so Fluxus. Fantstisch! Und ich finde, mein DADA-Stempel passt perfekt dazu!

Hier nun ist WIPE No 120 – es gefällt mir sehr!

“WIPE
Wipe ist eine kleine Montagepublikation, in der Toilettenpapier das Medium ist. Die Verwendung eines nicht-archivarischen, ja anti-archivarischen Mediums ist beabsichtigt, wobei die Vergänglichkeit und Zerbrechlichkeit des Mediums in scharfem Gegensatz zum künstlerischen Interesse an Archivmaterialien steht. Konzipiert als eine spielerische, leichte Publikation zur Umgehung der Portokosten, nickt Wipe Duchamps Urinal zu und fordert die Mitwirkenden auf, an einem Medium zu arbeiten, das fast kunstfeindlich ist.
Die Mitwirkenden beziehen ihr eigenes Toilettenpapier, eine Quelle der Faszination an sich und einen Kommentar zu den Hygienepraktiken der verschiedenen Gesellschaften. Trotz seiner beabsichtigten Flüchtigkeit ermöglicht Toilettenpapier das Prägen, Nähen, Collagieren und sogar Frottieren von Gummi. Wenn 20 Beiträge eingegangen sind, wird Wipe per Post an die Teilnehmer verteilt (Text von Susan Hartigan).
Begrenzte Exemplare der WIPE 120 sind für 20 US-Dollar (einschließlich internationaler p&p-E-Mails) für weitere Details erhältlich.” (Quelle) (unbezahlte Werbung)

Wipe 120 running by David Dellafiora
Wipe 120 - My contribution
Wipe 120 - participants

Wipe 120 running by David Dellafiora

Wipe 120 - My contribution

Wipe 120 - participants

Wipe 120 running by David Dellafiora thumbnail
Wipe 120 - My contribution thumbnail
Wipe 120 - participants thumbnail

english version:
For the second time I made a contribution for the assembling magazine WIPE, running by David Dellafiora. I absolutely love the idea to create art on toilet tissue – this is so Dada and so Fluxus. And my new Dada stamp fits perfectly to this zine. And here it is – WIPE No. 120. I like it very much! And I already send a new contribution for the next one.

“Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan) 
Limited copies of WIPE 120 are available for sale for $20 US (including international p&p) email for further details.” (Source) (unpaid advertisement)

Incoming Mail Art from David Dellafiora (AUS)

Eingehende Mail Art von David Dellafiora: Im vorhergehenden Artikel habe ich schon das fertige Zwillingsbuch gepostet. Hier nun das Gesamtpaket sowie die wunderbaren Künstler-Briefmarken, die David kreiiert hat. Im nächsten Artikel dann mehr über “Wipe”.
Besten Dank David für diese wunderbare Post!

Incoming mail art from David Dellafiora: In the previous article I already posted the finished twin book. Here’s the complete package and the wonderful artist stamps David created. In the next article more about “Wipe”.
Many thanks to David for this wonderful post!

Attic Zine

Attic Zine No4 - Purple - all together
Attic Zine No4 - Purple - cover
Attic Zine No4 - Purple - Teilnehmer Participants
Attic Zine No4 - Purple - Nicola Winborn
Attic Zine No4 - Purple - Vitaly Maklakov
Attic Zine No4 - Purple - Cheryl Chudyk
Attic Zine No4 - Purple - David Mattingly
Attic Zine No4 - Purple - Sabine Remy - my contribution
Attic Zine No4 - Purple - Sabine Remy - my contribution all together
Attic Zine No4 - Purple - Nicola Winborn 2
Attic Zine No4 - Purple - Rafael Gonzalez
Attic Zine No4 - Purple - Susan Gold
Attic Zine No4 - Purple - Essexdebs
Attic Zine No4 - Purple - Sabela Bana
Attic Zine No4 - Purple - Cathryn Stone
Attic Zine No4 - Purple - Aaron Jesko
Attic Zine No4 - Purple - Karen D´Angelo
Attic Zine No4 - Purple - Fernando Garcia Delgado
Attic Zine No4 - Purple - Anna Patrizia Settembre
Attic Zine No4 - Purple - Maya Lopez Muro

Attic Zine No4 - Purple - all together

Attic Zine No4 - Purple - cover

Attic Zine No4 - Purple - Teilnehmer Participants

Attic Zine No4 - Purple - Nicola Winborn

Attic Zine No4 - Purple - Vitaly Maklakov

Attic Zine No4 - Purple - Cheryl Chudyk

Attic Zine No4 - Purple - David Mattingly

Attic Zine No4 - Purple - Sabine Remy - my contribution

Attic Zine No4 - Purple - Sabine Remy - my contribution all together

Attic Zine No4 - Purple - Nicola Winborn 2

Attic Zine No4 - Purple - Rafael Gonzalez

Attic Zine No4 - Purple - Susan Gold

Attic Zine No4 - Purple - Essexdebs

Attic Zine No4 - Purple - Sabela Bana

Attic Zine No4 - Purple - Cathryn Stone

Attic Zine No4 - Purple - Aaron Jesko

Attic Zine No4 - Purple - Karen D´Angelo

Attic Zine No4 - Purple - Fernando Garcia Delgado

Attic Zine No4 - Purple - Anna Patrizia Settembre

Attic Zine No4 - Purple - Maya Lopez Muro

Attic Zine No4 - Purple - all together thumbnail
Attic Zine No4 - Purple - cover thumbnail
Attic Zine No4 - Purple - Teilnehmer Participants thumbnail
Attic Zine No4 - Purple - Nicola Winborn thumbnail
Attic Zine No4 - Purple - Vitaly Maklakov thumbnail
Attic Zine No4 - Purple - Cheryl Chudyk thumbnail
Attic Zine No4 - Purple - David Mattingly thumbnail
Attic Zine No4 - Purple - Sabine Remy - my contribution thumbnail
Attic Zine No4 - Purple - Sabine Remy - my contribution all together thumbnail
Attic Zine No4 - Purple - Nicola Winborn 2 thumbnail
Attic Zine No4 - Purple - Rafael Gonzalez thumbnail
Attic Zine No4 - Purple - Susan Gold thumbnail
Attic Zine No4 - Purple - Essexdebs thumbnail
Attic Zine No4 - Purple - Sabela Bana thumbnail
Attic Zine No4 - Purple - Cathryn Stone thumbnail
Attic Zine No4 - Purple - Aaron Jesko thumbnail
Attic Zine No4 - Purple - Karen D´Angelo thumbnail
Attic Zine No4 - Purple - Fernando Garcia Delgado thumbnail
Attic Zine No4 - Purple - Anna Patrizia Settembre thumbnail
Attic Zine No4 - Purple - Maya Lopez Muro thumbnail

Nicola Winborn hat mich eingeladen, bei ihrem Assembling Magazine ATTIC ZINE teilzunehmen. Vielen Dank für die Einladung! Diesmal lautete das Thema “Lila”. Nun habe ich das Magazin erhalten – es sind schöne Beiträge dabei.
Hier sind meine 20 Originale zu sehen – mit lila Briefmarken und meinem – lila – Dada-Stempel.

I was invited by Nicola Winborn to take part in her assembling magazine ATTIC ZINE, this time themed “Purple”. Thank you very much for inviting me. This time the theme was “Purple”. Now I have received the magazine – there are nice articles.
Here you can see my 20 originals – with purple stamps and my – purple – Dada stamp.

WIPE – No. 118

Wipe 188 - cover
Wipe 118 - back
Wipe March 2019
Wipe 118 - mine
Wipe 118 - 2
Wipe 118 - 4
Wipe 118 - 1
Wipe 118 - 3

Wipe 188 - cover

Wipe 118 - back

Wipe March 2019

Wipe 118 - mine

Wipe 118 - 2

Wipe 118 - 4

Wipe 118 - 1

Wipe 118 - 3

Wipe 188 - cover thumbnail
Wipe 118 - back thumbnail
Wipe March 2019 thumbnail
Wipe 118 - mine thumbnail
Wipe 118 - 2 thumbnail
Wipe 118 - 4 thumbnail
Wipe 118 - 1 thumbnail
Wipe 118 - 3 thumbnail

Zum ersten Mal habe ich für WIPE – von Davide Dellafiora - einen Beitrag gestempelt. Ich finde die Idee, Kunst auf Toilettenpapier zu machen, wunderbar  - es ist so Dada und so Fluxus. Fantstisch! Und ich finde, mein DADA-Stempel passt perfekt dazu!
Hier nun ist WIPE No 118 – es gefällt mir sehr – deswegen habe ich schon einen neuen Beitrag abgeschickt!

“WIPE
Wipe ist eine kleine Montagepublikation, in der Toilettenpapier das Medium ist. Die Verwendung eines nicht-archivarischen, ja anti-archivarischen Mediums ist beabsichtigt, wobei die Vergänglichkeit und Zerbrechlichkeit des Mediums in scharfem Gegensatz zum künstlerischen Interesse an Archivmaterialien steht. Konzipiert als eine spielerische, leichte Publikation zur Umgehung der Portokosten, nickt Wipe Duchamps Urinal zu und fordert die Mitwirkenden auf, an einem Medium zu arbeiten, das fast kunstfeindlich ist.
Die Mitwirkenden beziehen ihr eigenes Toilettenpapier, eine Quelle der Faszination an sich und einen Kommentar zu den Hygienepraktiken der verschiedenen Gesellschaften. Trotz seiner beabsichtigten Flüchtigkeit ermöglicht Toilettenpapier das Prägen, Nähen, Collagieren und sogar Frottieren von Gummi. Wenn 20 Beiträge eingegangen sind, wird Wipe per Post an die Teilnehmer verteilt (Text von Susan Hartigan).
Begrenzte Exemplare der WIPE 118 sind für 20 US-Dollar (einschließlich internationaler p&p-E-Mails) für weitere Details erhältlich.” (Quelle) (unbezahlte Werbung)

 

english version:
For the very first time I made a contribution for the assembling magazine WIPE, running by David Dellafiora. I absolutely love the idea to create art on toilet tissue – this is so Dada and so Fluxus. And my new Dada stamp fits perfectly to this zine. And here it is – WIPE No. 118. I like it very much! And I already send a new contribution for the next one.

“Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan) 
Limited copies of WIPE 118 are available for sale for $20 US (including international p&p) email for further details.” (Source) (unpaid advertisement)

Journal Of Field Study International
Field Report 2018

Journal of Field Study International - Field Report 2018 - Poster by Pierre Alechinsky
Journal of Field Study International - Field Report 2018 - 1
Journal of Field Study International - Field Report 2018 - 2
Journal of Field Study International - Field Report 2018 - Vizma Bruns
Journal of Field Study International - Field Report 2018 - Vizma Bruns backside
Journal of Field Study International - Field Report 2018 - Titac Patrizia
Journal of Field Study International - Field Report 2018 - Angela Stadthaus
Journal of Field Study International - Field Report 2018 - Antonio Gomez
Journal of Field Study International - Field Report 2018 - Susanna Lakner
Journal of Field Study International - Field Report 2018 - Zoe Snyder
Journal of Field Study International - Field Report 2018 - Zoe Snyder backside
Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold
Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold backside
Journal of Field Study International - Field Report 2018 - György Galantai
Journal of Field Study International - Field Report 2018 - David Dellafiora

Journal of Field Study International - Field Report 2018 - Poster by Pierre Alechinsky

Journal of Field Study International - Field Report 2018 - 1

Journal of Field Study International - Field Report 2018 - 2

Journal of Field Study International - Field Report 2018 - Vizma Bruns

Journal of Field Study International - Field Report 2018 - Vizma Bruns backside

Journal of Field Study International - Field Report 2018 - Titac Patrizia

Journal of Field Study International - Field Report 2018 - Angela Stadthaus

Journal of Field Study International - Field Report 2018 - Antonio Gomez

Journal of Field Study International - Field Report 2018 - Susanna Lakner

Journal of Field Study International - Field Report 2018 - Zoe Snyder

Journal of Field Study International - Field Report 2018 - Zoe Snyder backside

Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold

Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold backside

Journal of Field Study International - Field Report 2018 - György Galantai

Journal of Field Study International - Field Report 2018 - David Dellafiora

Journal of Field Study International - Field Report 2018 - Poster by Pierre Alechinsky thumbnail
Journal of Field Study International - Field Report 2018 - 1 thumbnail
Journal of Field Study International - Field Report 2018 - 2 thumbnail
Journal of Field Study International - Field Report 2018 - Vizma Bruns thumbnail
Journal of Field Study International - Field Report 2018 - Vizma Bruns backside thumbnail
Journal of Field Study International - Field Report 2018 - Titac Patrizia thumbnail
Journal of Field Study International - Field Report 2018 - Angela Stadthaus thumbnail
Journal of Field Study International - Field Report 2018 - Antonio Gomez thumbnail
Journal of Field Study International - Field Report 2018 - Susanna Lakner thumbnail
Journal of Field Study International - Field Report 2018 - Zoe Snyder thumbnail
Journal of Field Study International - Field Report 2018 - Zoe Snyder backside thumbnail
Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold thumbnail
Journal of Field Study International - Field Report 2018 - Sabine Remy Black Gold backside thumbnail
Journal of Field Study International - Field Report 2018 - György Galantai thumbnail
Journal of Field Study International - Field Report 2018 - David Dellafiora thumbnail

“Journal Of Field Study International – Field Report 2018″ is an assembling magazine running by David Dellafiora  with plenty of fantastic works by so many artists all over the world – and I am very pleased to be one of them. This is the second time I am taking part – and here you can see my contribution: Black Gold.

“Journal Of Field Study International – Field Report 2018″ ist ein Assembling Magazin von  David Dellafiora mit vielen fantastischen Arbeiten vieler Künstler aus der ganzen Welt – und ich freue mich sehr, dabei zu sein. Ich nehme nun zum zweiten mal teil – un dhier kannst Du meinen Beitrag sehen: Schwarzes Gold

Franticham’s Assembling Box NR 42

Frantichams Assembling Box No 42 - Cover
Frantichams Assembling Box No 42 - 1
Frantichams Assembling Box No 42 - Deckel innen
Frantichams Assembling Box No 42 - Teilnehmer Participants
My contribution - Stories that wanted to be told 40 - original works
My contribution - Stories that wnnted to be told 40 - original works
My contribution - Stories that wanted to be told one of them inside
My contribution - Stories that wanted to be told one of them inside

Frantichams Assembling Box No 42 - Cover

Frantichams Assembling Box No 42 - 1

Frantichams Assembling Box No 42 - Deckel innen

Frantichams Assembling Box No 42 - Teilnehmer Participants

My contribution - Stories that wanted to be told 40 - original works

My contribution - Stories that wnnted to be told 40 - original works

My contribution - Stories that wanted to be told one of them inside

My contribution - Stories that wanted to be told one of them inside

Frantichams Assembling Box No 42 - Cover thumbnail
Frantichams Assembling Box No 42 - 1 thumbnail
Frantichams Assembling Box No 42 - Deckel innen thumbnail
Frantichams Assembling Box No 42 - Teilnehmer Participants thumbnail
My contribution - Stories that wanted to be told 40 - original works thumbnail
My contribution - Stories that wnnted to be told 40 - original works thumbnail
My contribution - Stories that wanted to be told one of them inside thumbnail
My contribution - Stories that wanted to be told one of them inside  thumbnail

Ich freue mich sehr, erneut bei  Franticham´s Assembling Box No42 dabei zu sein –  veröffentlicht von Redfoxpress von Francis Van Maele und Antic Ham
Ich habe kürzlich mein Exemplar erhalten – vielen Dank an euch Beide!
Diese wunderbare Box kannst Du bei Redfoxpress kannst bestellen. (unbezahlte Werbung)

Künstler inklusive: Michael Leigh, Christian Alle, Michael Augustin, Carla Bertola, Geronimo Finn, Hans Braumüller, Bruno Chiarlone, David Dellafiora, Antonio Gómez García, Klaus Groh, Miguel Jimenez, Toni Kurz, Beltran Laguna, Emilio Morandi, Andrew Maximilian Niss, Jürgen Olbrich, Claudio Romeo, Renato Sclaunich, Sinclair Scripa, Skooter, Lias Spathi, Carol Stetser, Giovanni Strada, Andrew Topel – und mir

Mein Beitrag für die Box:
GESCHICHTEN, DIE ERZÄHLT WERDEN WOLLTEN.
Eine Kombination aus zwei Sammlungen von zwei verschiedenen Antiquariaten:
Eine Lesezeichensammlung und eine Sammlung der Island Library (die aufgrund von Wasserschäden aus dem Altpapierbehälter gerettet wurde).

english version:
I am very pleased to be included in Franticham´s Assembling Box No42, published by Redfoxpress, IRE  by Francis Van Maele and Ham Antic Ham
I got my copy a short while ago – thank you both very much!
You can order a box at Redfoxpress. (unpaid advertisement)
Wonderful combo!

Artists included : Michael Leigh, Christian Alle, Michael Augustin, Carla Bertola, Geronimo Finn, Hans Braumüller, Bruno Chiarlone, David Dellafiora, Antonio Gómez García, Klaus Groh, Miguel Jimenez, Toni Kurz, Beltran Laguna, Emilio Morandi, Andrew Maximilian Niss, Jürgen Olbrich, Claudio Romeo, Renato Sclaunich, Sinclair Scripa, Skooter, Lias Spathi, Carol Stetser, Giovanni Strada, Andrew Topel – and me

My contribution for the box:
STORIES THAT WANTED TO BE TOLD
A combination of two collections of two different antiquarian bookshops:
A bookmark collection and a collection of the Island Library (rescued from the waste paper container due to water damage).