Art in a Box – No 7 – Memory

Art in a Box 7 - all together
Art in a Box 7 - participants / Teilnehmer
Art in a Box 7 - my contribution Hugo Ball stamp / Mein Beitrag - Hugo Ball Stempel
Art in a Box 7 -  back of my contribution / die Rüeckseite meines Beitrages
Art in a Box 7 - Georgia Grigoriadou
Art in a Box 7 - Giannis Stamenitis
Art in a Box 7 - Picasso Gaglione
Art in a Box 7 - Kazunori Murakami
Art in a Box 7 - Argiris Liapopoulos
Art in a Box 7 - Nimfa M Ursabia
Art in a Box 7 - Giannis Stamenitis

Art in a Box 7 - all together

Art in a Box 7 - participants / Teilnehmer

Art in a Box 7 - my contribution Hugo Ball stamp / Mein Beitrag - Hugo Ball Stempel

Art in a Box 7 - back of my contribution / die Rüeckseite meines Beitrages

Art in a Box 7 - Georgia Grigoriadou

Art in a Box 7 - Giannis Stamenitis

Art in a Box 7 - Picasso Gaglione

Art in a Box 7 - Kazunori Murakami

Art in a Box 7 - Argiris Liapopoulos

Art in a Box 7 - Nimfa M Ursabia

Art in a Box 7 - Giannis Stamenitis

Art in a Box 7 - all together thumbnail
Art in a Box 7 - participants / Teilnehmer thumbnail
Art in a Box 7 - my contribution Hugo Ball stamp / Mein Beitrag - Hugo Ball Stempel thumbnail
Art in a Box 7 -  back of my contribution / die Rüeckseite meines Beitrages thumbnail
Art in a Box 7 - Georgia Grigoriadou thumbnail
Art in a Box 7 - Giannis Stamenitis thumbnail
Art in a Box 7 - Picasso Gaglione thumbnail
Art in a Box 7 - Kazunori Murakami thumbnail
Art in a Box 7 - Argiris Liapopoulos thumbnail
Art in a Box 7 - Nimfa M Ursabia thumbnail
Art in a Box 7 - Giannis Stamenitis thumbnail

Gina Geo (GRC) hat mich eingeladen, bei ihrem Sammelmagazin „Art in a box“ mit dem Thema „Erinnerungen“ teilzunehmen. Nun habe ich die Box erhalten – mit 20 wunderbaren Beiträgen von 20 Künstlern aus Griechenland, Japan, USA, Phillippinen und Deutschland.
Hier einige exemplarische Beiträge.
Besten Dank für die Einladung!

Gina Geo (GRC) invited me to participate in her assembling magazine „Art in a box“ with the topic „memories“. Now I have received the box – with 20 wonderful contributions from 20 artists from Greece, Japan, USA, the Philippines and Germany.
Here are some exemplary contributions.
Thank you very much for the invitation!

Stampzine No29

Stampzine 29 - All together
Stampzine 29 - cover
Stampzine 29 - Teilnehmer / Participants
Stampzine 29 - Documentation 1
Stampzine 29 - Documentation 2
Stampzine 29 - Slim Blanks Canada
Stampzine 29 - Bonniediva USA
Stampzine 29 - RF Cote Canada
Stampzine 29 - Juraj Jonke Croatia
Stampzine 29 - Susanna Lakner Germany
Stampzine 29 - David Menestres USA
Stampzine 29 - Debra Mulnick USA
Stampzine 29 - Sabine Remy Germany
Stampzine 29 - Eddie O´Neill USA
Stampzine 29 - Roberto Scala Italy
Stampzine 29 - Piotr Szreniawski Poland
Stampzine 29 - Mikel Untzilla Euskadi
Stampzine 29 - Michael Orr USA
Stampzine 29 - Picasso Gaglione USA
Stampzine 29 - Envelope by Picasso Gaglione

Stampzine 29 - All together

Stampzine 29 - cover

Stampzine 29 - Teilnehmer / Participants

Stampzine 29 - Documentation 1

Stampzine 29 - Documentation 2

Stampzine 29 - Slim Blanks Canada

Stampzine 29 - Bonniediva USA

Stampzine 29 - RF Cote Canada

Stampzine 29 - Juraj Jonke Croatia

Stampzine 29 - Susanna Lakner Germany

Stampzine 29 - David Menestres USA

Stampzine 29 - Debra Mulnick USA

Stampzine 29 - Sabine Remy Germany

Stampzine 29 - Eddie O´Neill USA

Stampzine 29 - Roberto Scala Italy

Stampzine 29 - Piotr Szreniawski Poland

Stampzine 29 - Mikel Untzilla Euskadi

Stampzine 29 - Michael Orr USA

Stampzine 29 - Picasso Gaglione USA

Stampzine 29 - Envelope by Picasso Gaglione

Stampzine 29 - All together thumbnail
Stampzine 29 - cover thumbnail
Stampzine 29 - Teilnehmer / Participants thumbnail
Stampzine 29 - Documentation 1 thumbnail
Stampzine 29 - Documentation 2 thumbnail
Stampzine 29 - Slim Blanks Canada thumbnail
Stampzine 29 - Bonniediva USA thumbnail
Stampzine 29 - RF Cote Canada thumbnail
Stampzine 29 - Juraj Jonke Croatia thumbnail
Stampzine 29 - Susanna Lakner Germany thumbnail
Stampzine 29 - David Menestres USA thumbnail
Stampzine 29 - Debra Mulnick USA thumbnail
Stampzine 29 - Sabine Remy Germany thumbnail
Stampzine 29 - Eddie O´Neill USA thumbnail
Stampzine 29 - Roberto Scala Italy thumbnail
Stampzine 29 - Piotr Szreniawski Poland thumbnail
Stampzine 29 - Mikel Untzilla Euskadi thumbnail
Stampzine 29 - Michael Orr USA thumbnail
Stampzine 29 - Picasso Gaglione USA thumbnail
Stampzine 29 - Envelope by Picasso Gaglione thumbnail

Ich habe zum ersten Mal an Picasso Gagliones (USA) STAMPZINE, einem internationalen Stempel-Sammelband, teilgenommen. Picasso hat auf diese Weise seit den späten 1970er Jahren Magazine geschaffen. Mein Beitrag fand seinen Platz in Nummer 29. Ich mag die Beiträge der anderen sehr und werde sicher erneut mitmachen.

I participated for the first time in Picasso Gaglione´s (USA) STAMPZINE, an international stamp collection. Picasso has been creating magazines in this way since the late 1970s. My contribution found its place in number 29. I like the contributions of the others very much and will certainly participate again.

Attic Zine No 9 – Green

Attic Zine No 9 - Green 2 - all together
Attic Zine No 9 - Green 2
Attic Zine No 9 - Green 2 - Nicola Winborn
Attic Zine No 9 - Green 2 - Teilnehmer / Participants
Attic Zine No 9 - Green 2 - William Mellott
Attic Zine No 9 - Green 2 - Maria Chorianopoulou
Attic Zine No 9 - Green 2 - Giuliana Crocivera
Attic Zine No 9 - Green 2 - Donmay Donamayoora
Attic Zine No 9 - Green 2 - Elsa Bouman
Attic Zine No 9 - Green 2 - Nicola Winborn
Attic Zine No 9 - Green 2 - Nelly Sanchez
Attic Zine No 9 - Green 2 - Sabela Bana
Attic Zine No 9 - Green 2 - Claudia Garcia
Attic Zine No 9 - Green 2 - Antonio Gomez
Attic Zine No 9 - Green 2 - Kristine und Jay Snodgrass
Attic Zine No 9 - Green 2 - Vitaly Maklakov
Attic Zine No 9 - Green 2 - Juan Fran Nunez Parreno
Attic Zine No 9 - Green 2 - Toni Hanner
Attic Zine No 9 - Green 2 - Sabine Remy
Attic Zine No 9 - Green 2 - back side by / Rückseite von Nicola Winborn

Attic Zine No 9 - Green 2 - all together

Attic Zine No 9 - Green 2

Attic Zine No 9 - Green 2 - Nicola Winborn

Attic Zine No 9 - Green 2 - Teilnehmer / Participants

Attic Zine No 9 - Green 2 - William Mellott

Attic Zine No 9 - Green 2 - Maria Chorianopoulou

Attic Zine No 9 - Green 2 - Giuliana Crocivera

Attic Zine No 9 - Green 2 - Donmay Donamayoora

Attic Zine No 9 - Green 2 - Elsa Bouman

Attic Zine No 9 - Green 2 - Nicola Winborn

Attic Zine No 9 - Green 2 - Nelly Sanchez

Attic Zine No 9 - Green 2 - Sabela Bana

Attic Zine No 9 - Green 2 - Claudia Garcia

Attic Zine No 9 - Green 2 - Antonio Gomez

Attic Zine No 9 - Green 2 - Kristine und Jay Snodgrass

Attic Zine No 9 - Green 2 - Vitaly Maklakov

Attic Zine No 9 - Green 2 - Juan Fran Nunez Parreno

Attic Zine No 9 - Green 2 - Toni Hanner

Attic Zine No 9 - Green 2 - Sabine Remy

Attic Zine No 9 - Green 2 - back side by / Rückseite von Nicola Winborn

Attic Zine No 9 - Green 2 - all together thumbnail
Attic Zine No 9 - Green 2 thumbnail
Attic Zine No 9 - Green 2 - Nicola Winborn thumbnail
Attic Zine No 9 - Green 2 - Teilnehmer / Participants thumbnail
Attic Zine No 9 - Green 2 - William Mellott thumbnail
Attic Zine No 9 - Green 2 - Maria Chorianopoulou thumbnail
Attic Zine No 9 - Green 2 - Giuliana Crocivera thumbnail
Attic Zine No 9 - Green 2 - Donmay Donamayoora thumbnail
Attic Zine No 9 - Green 2 - Elsa Bouman thumbnail
Attic Zine No 9 - Green 2 - Nicola Winborn thumbnail
Attic Zine No 9 - Green 2 - Nelly Sanchez thumbnail
Attic Zine No 9 - Green 2 - Sabela Bana thumbnail
Attic Zine No 9 - Green 2 - Claudia Garcia thumbnail
Attic Zine No 9 - Green 2 - Antonio Gomez thumbnail
Attic Zine No 9 - Green 2 - Kristine und Jay Snodgrass thumbnail
Attic Zine No 9 - Green 2 - Vitaly Maklakov thumbnail
Attic Zine No 9 - Green 2 - Juan Fran Nunez Parreno thumbnail
Attic Zine No 9 - Green 2 - Toni Hanner thumbnail
Attic Zine No 9 - Green 2 - Sabine Remy thumbnail
Attic Zine No 9 - Green 2 - back side by / Rückseite von Nicola Winborn thumbnail

Zum zweiten Mal habe ich bei Nicola Winborns  Assembling Magazine ATTIC ZINE teilgenommen. Herzlichen Dank für die Einladung! Diesmal lautete das Thema “Grün“. Nun habe ich das Magazin erhalten – es sind wieder schöne Beiträge zusammengekommen.

For the second time I participated in Nicola Winborn’s Assembling Magazine ATTIC ZINE . Thank you very much for the invitation! This time the theme was „Green“. Now I have received the magazine – there are some nice articles again.

Franticham´s Assembling Box Nr 45

Franticham´s Assembling Box 45
Franticham´s Assembling Box 45
Franticham´s Assembling Box 45
Franticham´s Assembling Box 45
40 Mind Machines to Franticham´s Assemblingbox 45

Franticham´s Assembling Box 45

Franticham´s Assembling Box 45

Franticham´s Assembling Box 45

Franticham´s Assembling Box 45

40 Mind Machines to Franticham´s Assemblingbox 45

Franticham´s Assembling Box 45 thumbnail
Franticham´s Assembling Box 45 thumbnail
Franticham´s Assembling Box 45 thumbnail
Franticham´s Assembling Box 45 thumbnail
40 Mind Machines to Franticham´s Assemblingbox 45 thumbnail

Ich bin sehr glücklich, wieder in Frantichams Assembling Box zu sein, dieses Mal in Nr. 45 mit meinen Mind Machines. Hier kannst Du alle sehen, die ich dafür gemacht habe.
Eine A5-Box mit Beiträgen von 25 eingeladenen Künstlern aus 9 Ländern – visuelle Poesie, Collagen, Drucke, Multiples und Objekte – 40 signierte und nummerierte Exemplare von 1/40 bis 40/40 – erschienen Mai 2020 bei Redfoxpress (Francis Van Maele and Antic Ham)
Nur 15 Exemplare stehen zum Verkauf zur Verfügung
Bestell Dein Exemplar hier: Redfoxpress

Beiträge von:
Christian Alle, Frankreich – Michael Augustin, Deutschland – Vittore Baroni, Italien – Allan Bealy, USA – Cinzia Farina, Italien – Antonio Gomez, Spanien – Klaus Groh, Deutschland – EF Higgins III, USA – Miguel Jimenez, Spanien – Mikula Luellwitz, Deutschland – Emilio Morandi, Italien – Leo Morrissey, USA – Andrew Maximilian Niss, Deutschland – Jürgen Olbrich, Deutschland – Antonio Orihuela, Spanien – Sabine Remy, Deutschland – Marina Salmaso, Deutschland, Dänemark – Roberto Scala, Italien – Skooter, USA – Pere Sousa, Spanien – Sparkle Brown, Australien – Litsa Spathi, Niederlande – Carol Stetser, USA – Giovanni & Renata Strada, Italien – Ptrzia Tictac, Deutschland

(unbezahlte Werbung)

english version:
I am very happy to be part of Franticham’s Assembling Box again, this time in No45 with my Mind Machines. Here you can see them all.
An A5 box with contributions from 25 invited artists from 9 countries – visual poetry, collages, prints, multiples and objects – 40 copies signed and numbered 1/40 to 40/40 – published May 2020 Redfoxpress (Francis Van Maele and Antic Ham)
Only 15 copies available for sale
Order your copy here: Redfoxpress

Contributions from:
Christian Alle, France – Michael Augustin, Germany – Vittore Baroni, Italy – Allan Bealy, USA
Cinzia Farina, Italy – Antonio Gomez, Spain – Klaus Groh, Germany – EF Higgins III, USA
Miguel Jimenez, Spain – Mikula Luellwitz, Germany – Emilio Morandi, Italy – Leo Morrissey, USA – Andrew Maximilian Niss, Germany – Juergen Olbrich, Germany – Antonio Orihuela, Spain – Sabine Remy, Germany – Marina Salmaso, Denmark – Roberto Scala, Italy – Skooter, USA – Pere Sousa, Spain – Sparkle Brown, Australia – Litsa Spathi, Netherlands – Carol Stetser, USA – Giovanni & Renata Strada, Italy – Ptrzia Tictac, Germany
(unpaid advertisement)

Corona-Krise-Toilettenpapier

Corona Crisis Toilet Paper for WIPE - 1
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Corona Crisis Toilet Paper for WIPE - 5

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Corona Crisis Toilet Paper for WIPE - 7

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Corona Crisis Toilet Paper for WIPE - 5 thumbnail
Corona Crisis Toilet Paper for WIPE - 6 thumbnail
Corona Crisis Toilet Paper for WIPE - 7 thumbnail

Das ist mein Beitrag für David Dellafioras WIPE (s.u.) – eine kleine Sammelpublikation, in der Toilettenpapier das Medium ist. 40 handgeschnittene Seiten.

Dieses „Corona-Krise-Toilettenpapier“ ist der Dummheit und Rücksichtslosigkeit vieler Menschen und der Panik- und Meinungsmache der (sozialen) Medien gewidmet.
Herzlichen Dank an all jene, die keine Gelegenheit ausgelassen haben, die Panik zu schüren, in dem sie Fotos leerer Supermarktregale veröffentlicht haben.
Ausschnitte aus einer lokalen Wochenzeitung 03/2020- Informationen der Stadtverwaltung über das Corona-Virus
Sabine Remy – Deutschland – Mai 2020
miriskum.de

„WIPE ist eine kleine Sammelpublikation, in der Toilettenpapier das Medium ist. Die Verwendung eines nichtarchivarischen, ja antiarchivarischen Mediums ist beabsichtigt, wobei die Flüchtigkeit und Zerbrechlichkeit des Mediums in scharfem Kontrast zur künstlerischen Auseinandersetzung mit Archivmaterialien steht. Konzipiert als spielerische, leichte Publikation, um Portokosten zu umgehen, nickt Wipe auf Duchamps Urinal ein und fordert die Mitwirkenden auf, mit einem Medium zu arbeiten, das fast schon Anti-Kunst ist.
Die Beitragenden beziehen ihr eigenes Toilettenpapier, eine Quelle der Faszination an sich und ein Kommentar zu den Hygienepraktiken verschiedener Gesellschaften. Trotz seiner beabsichtigten Vergänglichkeit lässt sich Toilettenpapier stempeln, nähen, collagieren und sogar frottieren. Wenn 20 Beiträge eingegangen sind, wird das Toilettenpapier per Post an die Teilnehmer verteilt (Text von Susan Hartigan).
Limitierte Exemplare der WIPE 123 sind für 20 US-Dollar (einschließlich internationaler Sonderdrucke) per E-Mail für weitere Einzelheiten erhältlich.“ (Quelle)
(unbezahlte Werbung)

english version:
This is my contribution to David Dellafiora’s WIPE Wipe – a small collective publication in which toilet paper is the medium. 40 cut out pages.

This „Corona Crisis Toilet Paper“ is dedicated to the stupidity and ruthlessness of many people and the panic and opinion making of the (social) media.
Many thanks to all those who did not miss any opportunity to stir up panic by publishing photos of empty supermarket shelves.
Excerpts from a local weekly newspaper 03/2020- Information from the city administration about the corona virus
Sabine Remy – Germany – May 2020
miriskum.de

„Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)
Limited copies of WIPE 123 are available for sale for $20 US (including international p&p) email for further details.“ (Source)
(unpaid advertisement)

Mind Machines
to Frantichams Assemblingbox

40 originale Mind Machines zu Frantichams Assemblingbox, betrieben von Francis van Maele und Antic-Ham. Nachdem sie meine Mind Machines bei Redfoxpress als Teil der Serie „C’Est mon daDa“ veröffentlicht haben, dachte ich, dass sie vielleicht gerne einige Originale für ihre Assemblingbox bekommen würden. Weiter unten kann man die einzelnen Collagen sehen)
(unbezahlte Werbung)

40 original Mind Machines to Frantichams Assemblingbox , running by Francis van Maele and Antic-Ham. After they published my Mind Machines at Redfoxpress as part of the series „C’Est mon daDa“ I thought they might like to get some originals for their assembling box. (Below you can see the single collages)
(unpaid advertisement)

Mind Machines to Frantichams Assemblingbox - 0
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Circulaire 132 – No 247

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And here is  Circulairre 132 – No 247– an assembling magazine running by RF Côté (Canada), in which I have participated for the second time now. I always find it interesting to see what other people in the world create – and it’s also nice to be in a zine with the same people from time to time, like Christian Alle, Antonio Gomez, Giovanni and Renata StraDa and many others. You can see my contribution in the previous article.

Und hier ist Circulairre 132 – No 247 –  ein Sammelmagazin, das von RF Côté (Kanada) betrieben wird und bei dem ich nun zum zweiten Mal mitgemacht habe. Ich finde es immer wieder interessant zu sehen, was andere Menschen auf der Welt kreieren – und es ist auch schön, immer mal wieder mit den Gleichen zusammen in einem Zine zu erscheinen, wie z.B. Christian Alle, Antonio Gomez, Giovanni und Renata StraDa und viele andere mehr. Meinen Beitrag kannst Du in dem vorhergehenden Artikel sehen.

Mail from Joakim Norling – Timglaset (SWE)

Publications by Timglaset running by Joakim Norling
Michael Orr - palingEnesia - published by Timglaset - 1
Michael Orr - palingEnesia - published by Timglaset - 2
Michael Orr - palingEnesia - published by Timglaset - 3
Michael Orr - palingEnesia - published by Timglaset - 4
Michael Orr - palingEnesia - published by Timglaset - 5
Michael Orr - palingEnesia - published by Timglaset - 6
Michael Orr - palingEnesia - published by Timglaset - 7
Michael Orr - palingEnesia - published by Timglaset - 8
Leif Holmstrand - Cephalopods - published by Timglaset - 1
Leif Holmstrand - Cephalopods - published by Timglaset - 2
Leif Holmstrand - Cephalopods - published by Timglaset - 3
Postcard by Luke Bradford - Timglaset Editions 2019

Publications by Timglaset running by Joakim Norling

Michael Orr - palingEnesia - published by Timglaset - 1

Michael Orr - palingEnesia - published by Timglaset - 2

Michael Orr - palingEnesia - published by Timglaset - 3

Michael Orr - palingEnesia - published by Timglaset - 4

Michael Orr - palingEnesia - published by Timglaset - 5

Michael Orr - palingEnesia - published by Timglaset - 6

Michael Orr - palingEnesia - published by Timglaset - 7

Michael Orr - palingEnesia - published by Timglaset - 8

Leif Holmstrand - Cephalopods - published by Timglaset - 1

Leif Holmstrand - Cephalopods - published by Timglaset - 2

Leif Holmstrand - Cephalopods - published by Timglaset - 3

Postcard by Luke Bradford - Timglaset Editions 2019

Publications by Timglaset running by Joakim Norling thumbnail
Michael Orr - palingEnesia - published by Timglaset - 1 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 2 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 3 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 4 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 5 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 6 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 7 thumbnail
Michael Orr - palingEnesia - published by Timglaset - 8 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 1 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 2 thumbnail
Leif Holmstrand - Cephalopods - published by Timglaset - 3 thumbnail
Postcard by Luke Bradford - Timglaset Editions 2019 thumbnail

Ich habe Post von Joakim Norling bekommen, Herausgeberin von  Timglaset – Verlag für visuelle Poesie. Wir haben einen kleinen Kunstaustausch gemacht. Eigentlich sollte ich mir aussuchen, welche Publikation ich gerne im Austausch hätte. Obgleich ich schon mit Michael Orr´s „plangEnesia“ geliebäugelt habe, fand ich es spannender, Joakim selbst entscheiden zu lassen, was sie mir gerne schicken möchte.  Und wie wunderbar – Michael´s Publikation war dabei – sowie eine Postkarten mit Kunst von Luke Bradford  und eine weitere Publikation „Cephalopodos“ mit Werken von Leif Holmstrand. Ich bin sehr begeistert! Vielen Dank für dieses wunderbare und großzügige Paket.
Versäume nicht, Timglaset-Homepage zu besuchen, auf der Du fantastische Publikationen finden (und kaufen) kannst.
(völlig freiwillige und unbezahlte Werbung)

english version:
I have received mail from Joakim Norling, editor of Timglaset – publishing house for visual poetry. We had a little art exchange. Actually I should choose which publication I would like to have in exchange. Although I put already an eye on Michael Orr’s „plangEnesia“, I found it more exciting to let Joakim decide for herself what she would like to send me.  And how wonderful – Michael’s publication was there – as well as a postcard with art by Luke Bradford and another publication „Cephalopodos“ with works by Leif Holmstrand. I am thrilled! Thank you very much for this wonderful and generous package.
Don’t forget to visit Timglaset homepage where you can find (and buy) fantastic publications.
(completely voluntary and unpaid advertising)

Circulaire (CAN)

Mind Machines to Circulaire by R.F. Cote - 1
Mind Machines to Circulaire by R.F. Cote - 2
Mind Machines to Circulaire by R.F. Cote - 3
Mind Machines to Circulaire by R.F. Cote - 4
Mind Machines to Circulaire by R.F. Cote - 5
Mind Machines to Circulaire by R.F. Cote - all together

Mind Machines to Circulaire by R.F. Cote - 1

Mind Machines to Circulaire by R.F. Cote - 2

Mind Machines to Circulaire by R.F. Cote - 3

Mind Machines to Circulaire by R.F. Cote - 4

Mind Machines to Circulaire by R.F. Cote - 5

Mind Machines to Circulaire by R.F. Cote - all together

Mind Machines to Circulaire by R.F. Cote - 1 thumbnail
Mind Machines to Circulaire by R.F. Cote - 2 thumbnail
Mind Machines to Circulaire by R.F. Cote - 3 thumbnail
Mind Machines to Circulaire by R.F. Cote - 4 thumbnail
Mind Machines to Circulaire by R.F. Cote - 5 thumbnail
Mind Machines to Circulaire by R.F. Cote - all together thumbnail

These are my „Mind Machines“ for Circulaire (8 x 8 cm)- an assembling magazine running by RF Côté (Canada)

Dies sind meine „Mind Machines“ für Circulaire (8 x 8 cm)- ein Montagemagazin, das von RF Côté (Kanada) betrieben wird.

Hugo Ball to Art in a Box

20 gestempelte Postkarten mit meinem aktuellen Hugo Ball Stempel, den ich kürzlich designed habe, an Gina Geo für ihr Sammelmagazin Art in a Box, an dem ich zum ersten Mal teilnehme. Das Thema ist „Erinnerung“.
In Erinnerung an Hugo Ball, der sich im Cabaret Voltaire als „magischer Priester“ verkleidet hat und in einem Papstkostüm am 23. Juni 1916 feierlich das erste Lautgedicht des Dadaismus rezitierte.
Hugo Ball: * 22. Februar 1886 in Pirmasens, Deutschland / † 14. September 1927
Cabaret Voltaire: ein am 5. Januar 1916 gegründetes Künstlerlokal in Zürich, der Geburtsstätte des Dadaismus

english version:
20 stamped postcards with my brand new Hugo Ball rubber stamp which I have designed lately, to Gina Geo for her Art in a Box assembling magazine where I am now taking part for the first time. The theme is „Memory“.
In MEMORY of Hugo Ball, who in Cabaret Voltaire, dressed as a „magical priest“ in a pope costume on 23 June 1916, solemnly recites the first sound poem of Dadaism.
Hugo Ball: * 22 February 1886 in Pirmasens, Germany/† 14 September 1927
Cabaret Voltaire: an artists‘ pub founded on 5 January 1916 in Zurich, birthplace of Dadaism.